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The Freed Kingdom

Fable/Copyright © 1974, 2006 by Jim O’Donnell

He is the reason the Rock 'n' Roll Hall of Fame is in Cleveland--not in Memphis or Liverpool.

He gave rock 'n' roll its name.

He did what rock 'n' roll is supposed to do: free the spirit. And he freed many.

This a story about being freed--and about Alan Freed, the rockcaster who twenty years ago first called rock ‘n’ roll rock ‘n’ roll.

Once upon a time, in the olden days of 1950, there existed a mythical kingdom called American Youth, and its dwellers were clean and cut.

The Emperor of the kingdom did switch much from King Sinatra to King Crosby to King Como to whosoever else the kingdom's parentage did deem worthy to rule.

Thereat, shackleth by mind to seer Snooky Lanson's Hit Parade and Gruen watch commercials and soap operas of the magic sound box of Radio, the youthful dwellers did live in what one prophet had memorably named a Make Believe Ballroom.

For, twas becoming the fact of America's shekel culture, that he who did control the airways, controlled those who breathed them.

And it came to pass that one day in not-that-olden 1954, a dweller named Alan Freed (of only 32 years in age) did sendeth deep dark vibrations across the waves of the air of the American midwest town called Cleve Land, Ohio.

And lo! The heavens did rock and the thunder did roll, and seer Alan Freed shouted: "ROCK ‘N’ ROLL! ROCK ‘N’ ROLL! ROCK ‘N’ ROLL!"

Wherefore the kingdom did crieth out: "Hail, hail, thine rock ‘n’ roll! Delivereth us from yonder days of old!" And also they did crieth: "Hail, Emperor Freed! We doth fear not any longer!"

And so spoken, the kingdom at once began to be freed.

Whereat, those of the elderly world did become shocked at the new Emperor's tappingeth a savage Freedian white vein.

"Ye should not be shocked at this," bespake Emperor Freed. This Emperor, ye see, was a sharp cookie, if man was ever to undergo the sweet tooth.

He had foreseen the light of the Black sound back in the March of 1952 when he did organize a stage show of popular Black singers, and 30,000 of the dedicated—mostly white—did try to fill a Cleve Land arena that would hold but 10,000. Said show destroyingeth itself from within by chaos.

"Fear not!" Emperor Freed had spaken to the kingdom of American Youth. "I shall multiply your shows a hundredfold at the Brooklyn FOX and the Paramount during Easter and Christmas weeks, and the ticket lines shall formeth eight thick around street corners. And these shows shall runneth six and more a day and ye shall oft undergo the miracle of the Fats Domino and Chuck Berry and others. Methinks ye must findeth hope! The dull Big Band nights of Asbury Park Con¬vention Hall shall yet be undone!"

Wherefore by the intensity of its multitudinous following, this less shackled Black music did trigger riots in theaterviewing rooms. And so Emperor Freed was not to be later at all amazeth at winningeth over the whole Youth kingdom by spinngeth the sacred shaking rhythms through the magic sound boxes of Cleve Land.

And it came to pass that the elderly of little faith in the Emperor's ability to rule did get jolted—50,000 watts worth—into hearkening to His Highness Freed chantingeth doggerel, gibberingeth "Go Man Go!" and "Yeah Yeah Yeah!" while thumpingeth a phone book four beats to the bar, givingeth weather forecasts of "clear and sunny" as if stuck in the hurricane's eye, and, withal, callingeth his job "Moondog's Rock and Roll Radio Party"—all this from a battle station called WINS in a citadel of American Adulthood called New York City.

And it came to pass that WINS twas victorious. And twas the mark of WINS style that Elvis Presley was its mainman, with a good Fie! on Pat Boone, and so forth.

And soon lesser seers did hear their calling, seers called "Cat Man" and "Hound Dog" and "Symphony Sid" and "Dr. Jive" and such. Thereat, they helped the Emperor to seedeth New York's airwaves with lightning, so as the thunder would continueth to roll.

Twas not long, either, before the kingdom of American Youth was Freed's in material symbol as well as in fact. The merchants of the land, called sponsors, did beseech him daily to accept their pleas to favoreth their goods with a good word from his WINS throne.

Lords of the record companies did falleth over each other in their knee-bending with the unshakable notion that the Emperor could have a record brought to execution by simple disregard, if he was so disposed.

And all the while, younger princes in the royal radio family did follow their majesty's style and taste.

Forsooth, the reach of Emperor Freed did seem to know no bounds. Terse dictums did goeth out to all his kingdom and did get displayed on massive three-sided writing tablets called Movie Marquees. These said “Thou Shalt Not Knock the Rock!” “Thou Shalt Rock Around the Clock!” “Thou Shalt Rock Rock Rock!”

And the younger dwellers--getting happily surrounded more and more each listening hour with jukeboxes and TV-dancing kids and Alan Freed Memory Lane record albums--did Rock Rock Rock around the clock, and did never knock the Rock.

Suddenly, the olden 50's decade was not quite done when, lo and behold, some higher-ups of the Adult Kingdom—in a ruling body called the House of Representatives Special Subcommittee on Legis¬lative Oversight—grumbleth that Emperor Freed must presenteth himself before them and answereth to them.

For they had a charge of "payola" to press, in that they did suspect he was playingeth certain of his records because certain of the record companies were bulging his pockets with shekels for playing them.

"Even the Emperor of the younger kingdom shall not live outside our laws," warneth the Adult Kingdom.

Now, the Emperor by this period of 1959, was thereof professionally veteraneth to adversity. Alan was like Alger that way.

Yea, no sooner had Alan begunneth his "Moondog Rock and Roll Party" then did a blind street musician of New York's Sixth Avenue sue him 5,000 shekels for stealingeth his professional name.

And when Emperor Freed did come to New York, the province of Harlem did want to know whereas he should not be foundeth guilty of stealingeth their culture for it seemed as if he had stoleneth their music, as if by magical trickery. And they did clamor for a replacement on his program.

Then later, in near-modern 1958, the Emperor had fared not well, for he did get hastened into arrest in Boston and did get charged with incitingeth to rioteth when some of his young subjects happeneth to take to attackingeth bystanders whilst comingeth from one of his rock shows.

Wherefore, WINS management did quarrel with him over the incident, and Emperor Freed had hurried his throne to WABC where his popularity with his kingdom did flourish.

But this! The charge that he did accept 30,000 shekels in bribes from record companies did findeth its way into every public print in the land, and twas not the sort of clipping one did cut out and have seteth in the den. (Let alone the crown.)

Worse was that the charges were not all falsely founded. The Emperor did hold that he was not an evil king, that, in fact, what he did do was but the normal order of things in royal radio's royal court.

"What they doth call payola in the disc jockey business," he did say to his accusers, "they doth call lobbying in Washington."

Yet, when the Adult rulers in Washington were finisheth with his trial, the public image of a D.J. was little more than a loudmouth Juvenile Delinquent standingeth on his head.

Emperor Freed did plead guilty, in moderneth 1962, to some of the charges, and did get sentenced to six months suspended and did get slapped with a 300-shekel fine.

He thereby losteth his rule of the airwaves, abdicating his radio throne by sendingeth the sobs of real tears into the no-longer-so-magical sound boxes of the American Young, and fadingeth out forever as "Shimmy Shimmy Ko-Ko-Bop" did start spinningeth on his turntable.

He'd had a mansion of luxury on the Connecticut shore with means of broadcasting on days he did not cometh into his New York studio of work, but now he did move to California, to try to leaveth his past.

But nay, the uglier parts did seem to traceth him, and in hypermodern 1964, he did get changed with shekel income evasion.

A year later, January 20, 1965, he did die of a kidney ailment in a Palm Springs hospital. He was 43 in years. His royal radio brethren did grieve.

And it came to pass that three moons after Emperor Freed was buried, WINS did start broadcastingeth the news, and nothing but the news.

And thus is a story about Alan Freed, the rockcaster who twenty years ago first called rock ‘n’ roll rock ‘n’ roll.

Moral: Kingdoms are ruled by men who do not wait for he who is without sin to cast the first rock—else the rock would never get cast.

***


CD: Alan Freed, Rock and Roll Dance Party. Magnum, 2000.
Book: John A. Jackson, Big Beat Heat: Alan Freed and the Early Years of Rock & Roll. Schirmer, 1991.
Websites:
http://www.alanfreed.com, http://www.rockhall.com  

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